I am an avid watcher of Project Runway. As a maker, I love to see how the contestants interpret the challenges and incorporate their point of view to their work. Early on in the last season, Tessa Clark was criticized for the unfinished hems in the pants she made. Later on, she revealed that wabi-sabi was an influence in her work.
That same week, a professional acquaintance shared a photo of his night-stand reading material, which included the book, Wabi-Sabi For Artists, Designers, Poets & Philosphers, by Leonard Koren.
The universe was trying to tell me something, so I listened. I turned my attention to learning more about wabi-sabi.
Wabi-Sabi is, according to Wikipedia, a traditional Japanese aesthetic centered on acceptance of transience and imperfection. Wikipedia says, "Characteristics of the wabi-sabi aesthetic include asymmetry, roughness, simplicity, economy, austerity, modesty, intimacy, and appreciation of the ingenuous integrity of natural objects and processes."
There's a lot more to it than this entry, and not all aspects of wabi-sabi relate to my work. You can read more on Wikipedia or purchasing the Koren book (which I did). But it was those words that put a name to my own aesthetic.
My jewelry is simple. It's also imperfect, which shows the work of my hands. My jewelry is also impermanent, made to be worn often (and perhaps worn out). My hope always is that you wear my jewelry happily for many years, changing as you change. Perfectly imperfect.